![]() Our moving elements: a slab, a ghost dog, a bike decoration, three little ghosts and a pumpkin that looks like its being held by Wednesday Addams.Īfter some experimentation we end up with these choices: Below animation style choice are timing, repetition and distance controls.ĭespite this being less restrictive than, say, a corporate design, we still need to be careful about the animations we choose. The last choice on the first menu, other, exposes a list of unconventional animations, which could work with Halloween. This will expose two drop down menus, one to select the animation and the other to choose the direction and type of movement. You enable animations via a check box in the style tab. Scroll animations can be applied to images, buttons, text boxes and video elements. ![]() This is a simple design about Halloween with the intent to capture some of the fun and craziness. The storytelling flows and the contents of the page become warm invitations to further exploration. Given the illusion of life and motion, you can end up with too much, or too little, disconnected parts that don’t fit and even hurt their surroundings.īut when done right, these limited life entities make the design feel more like an organic interaction. The reason is animations can disturb the design balance a lot more than static elements. The use of the word experience is very specific, because attempting to integrate animations can be both enjoyable and frustrating (hopefully bit more of the former, and less of the latter). Here we will look into Sparkle’s animation feature. The visitor experience depends on the more classic design elements like color, contrast, font and geometric space. Sparkle focuses a lot on what could be thought of as the first level of web design: static visual design.
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